Miracle Septuagint (Village Voice, 24/11/2010) 
The 1970s were the golden age of the moment. This pivotal time between France and Mitterrand years mess was a molt. To change skins, France had to go through the garish, kitsch, deformity. The magnificent exhibition "La France
Raymond Depardon " in the BNF, reveals some remains, mired in our reality, as many Atlantis. Conversely, Francois Ozon pushed the vice by delaying action
Potiche to recreate every detail with a beautiful aesthetic detail of the year 1977. This is the only interest of a flat film and without charm, which reduces this time a "Deco", where a single snapshot of greenhouse Depardon's heart, provoking laughter and emotion. Is that the seventies are not given so easily, they have their own magic. When this magic is intact, a show like The Marriage of Figaro
Strehler - (Bastille) back to life, then it dates from 1973. What had she, in those years of hair madness, toupee, Mandarin tones? A kind of innocence, like a little girl thinks woman making up excessively? Indefinable, elusive, they escape us, as time itself.
The 1970s were the golden age of the moment. This pivotal time between France and Mitterrand years mess was a molt. To change skins, France had to go through the garish, kitsch, deformity. The magnificent exhibition "La France Raymond Depardon " in the BNF, reveals some remains, mired in our reality, as many Atlantis. Conversely, Francois Ozon pushed the vice by delaying action Potiche to recreate every detail with a beautiful aesthetic detail of the year 1977. This is the only interest of a flat film and without charm, which reduces this time a "Deco", where a single snapshot of greenhouse Depardon's heart, provoking laughter and emotion. Is that the seventies are not given so easily, they have their own magic. When this magic is intact, a show like The Marriage of Figaro Strehler - (Bastille) back to life, then it dates from 1973. What had she, in those years of hair madness, toupee, Mandarin tones? A kind of innocence, like a little girl thinks woman making up excessively? Indefinable, elusive, they escape us, as time itself. 
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